AliaK
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![[*]](./images/xpsilver/default_icon.gif) posted on 4-11-2007 at 02:37 AM |
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The Third Annual Art of Record Production Conference in Brisbane (Dec 10-11)
hi, thought some of you might be interested in this...
http://www.arpbrisbane.com/
(info via the website)
The Third Annual Art of Record Production Conference
December 10 and 11 2007 | Queensland University of Technology (QUT),
Creative Industries Precinct, Kelvin Grove Brisbane, Australia
Unmasking the art behind making a truly great record will be the focus
of a very special event in Brisbane this December.
The third Annual Art of Record Production Conference will feature some
of the most exciting music producers this country has to offer – plus
a keynote address from iconic US DJ/Producer Hank Shocklee (Public
Enemy, BombSquad).
The Art of Record Production is a World Class event being presented
for the very first time in the southern hemisphere.
Registration is strictly limited and open from November 1, 2007.
To find out more, head to the news section, check out the event
speakers, and download your own ARP Brisbane program.
---
program
(via http://www.arpbrisbane.com/)
The Third Annual Art of Record Production Conference
December 10 and 11 2007 | Queensland University of Technology (QUT),
Creative Industries Precinct, Kelvin Grove Brisbane, Australia
A full downloadable ARP Brisbane program will available online here soon.
The two day event will hear from acclaimed Australian producers
including Daniel Denholm (Midnight Oil, Cruel Sea, Alex Lloyd), Tom
Ellard (Severed Heads), Dave Trump (Pollyanna, Big Heavy Stuff,
Violetine, You Am I), Adrian Boland ( The Divinyls) and Richard Lush
(Abbey Road Studios engineer plus producer of Sherbert, Jon English
and many more).
More than 30 academic papers with Q & A sessions will also be
presented on the following:
Lo-Fi vs Hi-Fi
The future of the studio and the producer. The association of large
studios with large sales and small studios with small sales is no
longer a given. How has practice changed? How will it change in the
future? What are the roles of the producer, engineer, sound designer,
artist, songwriter and performer and to what extent are these still
delineated as separate or conflated? What is the place for the
professional, the amateur or the pro/am?
Recording as a compositional process
Which comes first, the recording or the performance? A recording is
pivotal in the compositional act. To what extent does it drive the
process? Has recording demolished the concept of authenticity? To what
extent is the recording the modern score?
Sound recording, new technologies and new contexts
For over 50 years recording has not necessarily meant the
documentation of a single sound event. Nor is it always merely a
linear product such as a song, a symphony or a film soundtrack. Record
producers often need to understand the new contexts in which their
work will exist.
Increasingly uses have become more fluid and interactive. Recorded
sound is now part of the fabric of games, the internet, emerging
media, mobile networks, and live performance.
New aesthetics have emerged in parallel with technical and creative
innovations. Is there still a directorial role for a producer to "get
the best from the musicians"? Are streaming and downloading our
friends or foes? What of the legal issues and initiatives such as
Creative Commons?
The art surrounding the art
In a world where no discipline is an island, what is the interaction
with, and impact upon record production of videos, CD covers, online
spaces and virtual sites?
The Changing Role of the Producer
The evolution of the role of record producer and what the future holds.
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